The Revenge of the Classics: What the Success of Christopher Nolan’s Odyssey Teaches Us
The box office triumph of Christopher Nolan’s Odyssey was not a given, and it is good news well beyond the film industry. It contradicts two beliefs that have shaped two decades of cultural and educational policy: that the classics have nothing left to say, or are even harmful, and that the public no longer wants complex work. A look at a double rebuttal, and at what it tells us about mental models and their consequences.
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